sapphicdalliances:

remember when i was 15 and thought that wearing jeans and converse shoes was the absolute height of fashion. that was how to be seriously hardcore. like that was some intensely urban street fashion stuff. blue flare jeans and black low-top converse shoes

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(Source: cloveremoji, via fleshwax)

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(Source: twinpeakscaptioned)

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My day

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thebeautiful-indifference, tracing-patterns - re: the conversation that we were having at the met stop the other day
I mean, this is written with a dramatic voice (perhaps a past self or at least a fleeting moment of self idk how can we?) but I think that illustrates the point even further
(By the way, I am talking about the conversation which made me think of water cycles and you guys think of something more relevant and poignant that I forget now :’))

thebeautiful-indifference, tracing-patterns - re: the conversation that we were having at the met stop the other day
I mean, this is written with a dramatic voice (perhaps a past self or at least a fleeting moment of self idk how can we?) but I think that illustrates the point even further
(By the way, I am talking about the conversation which made me think of water cycles and you guys think of something more relevant and poignant that I forget now :’))

This was posted 1 day ago. It has 2 notes. .

Made meself an iced americanooo
Might branch out into ice lollies
This is top

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"I have wished I could rest among the beautiful and common weeds I can name, both here and in other tracts of the globe. But there is no finite knowing, no such rest. Innocent birds, deserts, morning-glories, point to no choices, leading away from the familiar. When I speak of an end to suffering I don’t mean anaesthesia. I mean knowing the world, and my place in it, not in order to stare with bitterness or detachment , but as a powerful and womanly series of choices: and here I write the words, in their fullness:
powerful; womanly.”

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From ‘Sources’

IV

'With whom do you believe your lot is cast?'
‘From where does your strength come?’

I think somehow, somewhere
every poem of mine must repeat those questions

which are not the same. There is a ‘whom’, a ‘where’
that is not chosen that is given and sometimes falsely given

in the beginning we grasp whatever we can
to survive

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http://noisey.vice.com/en_uk/blog/we-spoke-to-wes-andersons-superman-music-supervisor

some interesting bits and responses here

(It’s an interview with the guy who does the soundtracks for Wes Anderson’s films)

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writteninsentences:

there are books that describe all this
and they are useless

          Adrienne Rich, “The Burning of Paper Instead of Children

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